41a8bc305c62ddc208dbc7e3a9a9de03
TITLE:
Monumental cubist self-portrait mural – exact face from reference photo
## STYLE
Ultra-realistic cinematic photography look inside an industrial art studio.
High-resolution 4K–8K, sharp details, realistic materials and lighting.
The mural on the wall is a large cubist painting of the same person: fragmented planes, geometric shapes, multiple angles of the face, bold abstract composition, but still clearly recognizable as the same person.
## SUBJECT
Use the exact identity of the person from the uploaded reference photo only.
Keep 100% of the original facial anatomy and proportions: skull and bone structure, eye shape and distance, eyelids, iris details, nose shape, mouth and lips, jawline, cheekbones, chin, ears, eyebrows, hairline.
Keep the same hairstyle, hair length, hair volume, hair direction and hair color; do not change haircut or color, only adapt to lighting if needed.
Preserve the same gender expression, ethnicity and overall body type, including natural asymmetries and unique features.
No beautifying, no slimming, no aging or de-aging, no anatomical changes.
The person from the reference photo is both:
- the real painter in the studio, and
- the subject of the giant mural on the wall (a cubist stylized version of their own face).
They wear artist clothes: casual outfit plus a white painter’s apron covered in colorful paint stains and splatters.
## CONTEXT / ENVIRONMENT
Large industrial warehouse (galpão) converted into a monumental painting studio.
Very high ceilings, visible metal beams, raw concrete or brick walls, and a 6-meter-high wall being used as the main painting surface.
On this wall, there is a huge cubist mural of the painter’s own face:
- stylized cubist portrait of the same person, with geometric planes, multiple angles of the face, fractured shapes and overlapping facets;
- strong lines and bold color blocks, but facial identity still clearly linked to the reference photo (same nose, eyes, lips, jawline, overall proportions).
In front of the wall: metal scaffolding, ladders, paint buckets, open cans of paint, brushes, rollers, rags, drop cloths, paint splashes on the floor, messy studio atmosphere.
Optional: tables with palettes, jars of water, sketches of cubist studies pinned nearby.
## ACTION
The person from the reference photo is actively working as the painter of this cubist self-portrait mural.
They are standing near the bottom area of the 6-meter wall, holding a brush or marker, and:
- they are signing the mural with the artist’s name: [NOME DO ARTISTA]
- the signature appears clearly on the mural, in a hand-painted style, matching the painter’s gesture.
Their body language shows concentration and pride, as if finishing a major piece of work.
Paint stains on their apron and hands reinforce that they have been painting this mural for a long time.
## COMPOSITION
Camera framing: medium-wide or wide shot capturing the full body of the painter and the majority of the mural.
The painter (real person) is the main subject, positioned slightly off-center, facing the wall, with their side or three-quarter profile visible to the camera.
The giant cubist self-portrait mural dominates the wall behind them, with the cubist face clearly visible above or beside the painter.
Foreground: some paint cans, brushes, parts of scaffolding or tools partially in front of the camera, slightly out of focus, creating depth.
Midground: the painter signing the mural, and the lower portion of the cubist face in sharp focus.
Background: upper sections of the mural, scaffolding, ceiling beams and far parts of the warehouse, progressively softer and darker, creating layered depth for parallax.
No cropping of the painter’s head or feet; full body and head visible.
## LENSES / CAMERA
Simulated 35–50 mm lens on a full-frame camera, natural perspective, no extreme distortion.
Slight handheld documentary feel, as if a photographer captured a real moment in the studio.
Depth of field: moderate, with sharp focus on the painter and the area of the mural they are signing; foreground objects and distant background slightly blurred to create clear foreground/midground/background separation for parallax.
## LIGHTING
Realistic indoor lighting mixing soft daylight and studio work-lights.
Soft diffused daylight from high windows, plus warm spotlights directed at the mural and the painter.
Key light mainly from one side, shaping the painter’s face and body, preserving all facial details from the reference.
Fill light reduces harsh shadows, keeping a cinematic but believable contrast.
Color palette: natural neutrals for the environment; the cubist mural uses bold but controlled colors, while the apron shows multiple paint stains in various hues.
No extreme color grading; maintain a realistic cinematic look.
## NEGATIVE PROMPT
Do not change the person’s face: no morphing, no beautifying, no slimming, no age changes.
Do not alter gender, ethnicity, hairstyle or hair color.
Do not replace the subject with another person or generic model.
No cartoon, anime or caricature face; the real painter’s face must remain realistic and identical to the reference.
The mural is cubist and stylized, but the real-life painter’s face in the scene remains realistic.
No low resolution, no noise, no compression artifacts, no blurry main subject.
No empty studio; environment must be detailed and plausible, with real scaffolding, paint and tools.
No cropping of the painter’s head or body.
## FINAL REQUIREMENTS
Use the uploaded photo as the only reference for identity: the painter and the mural face must both clearly derive from the same person.
The painter in the studio is the same person depicted in the giant cubist mural on the 6-meter wall.
The painter is wearing a white artist apron stained with paint, actively signing the mural with [ARTIST NAME] on the wall.
The cubist mural shows a stylized, geometric, multi-angle portrait of the same face, but still recognizable as the same person.
High-resolution, ultra-detailed, immersive and believable scene, optimized for Nano Banana image generation.