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Use the two uploaded reference photographs as strict and exclusive identity references for the two subjects.
REFERENCE IMAGE 1 = THE MAN
REFERENCE IMAGE 2 = THE WOMAN
The man from Reference Image 1 must appear in the scene in place of the described man.
The woman from Reference Image 2 must appear in the scene in place of the described woman.
Do not mix, blend, exchange, or transfer facial characteristics between the two references. Each reference photograph belongs exclusively to its corresponding person.
Create a completely new, photorealistic professional photograph. Do not simply paste, cut out, overlay, or composite the original photographs into the scene. Reconstruct both people naturally as part of the same photograph.
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1. ABSOLUTE IDENTITY PRESERVATION
MAN — REFERENCE IMAGE 1
Use Reference Image 1 as the absolute identity source for the male subject.
Preserve his recognizable identity with maximum possible fidelity, including:
- exact facial structure and proportions
- face shape
- forehead
- eyebrows
- eyes and eyelids
- nose
- cheekbones
- lips and mouth
- jawline
- chin
- ears
- skin tone
- natural skin texture
- facial asymmetries
- distinctive facial characteristics
- exact hairline
- shaved/bald appearance if present in the reference
- exact beard shape, density and length if present
- apparent age
- natural body proportions
Do not make him resemble another person.
Do not use the woman's reference to influence his facial characteristics.
Do not beautify, redesign, age, de-age, masculinize, feminize, or otherwise alter his identity.
WOMAN — REFERENCE IMAGE 2
Use Reference Image 2 as the absolute identity source for the female subject.
Preserve her recognizable identity with maximum possible fidelity, including:
- exact facial structure and proportions
- face shape
- forehead
- eyebrows
- eyes and eyelids
- nose
- cheekbones
- lips and mouth
- jawline
- chin
- ears
- skin tone
- natural skin texture
- facial asymmetries
- distinctive facial characteristics
- exact hair color
- hairstyle
- hairline
- apparent age
- natural body proportions
Do not make her resemble another person.
Do not use the man's reference to influence her facial characteristics.
Do not beautify, redesign, age, de-age, or otherwise alter her identity.
CRITICAL IDENTITY RULE
Reference Image 1 determines WHO the man is.
Reference Image 2 determines WHO the woman is.
The written description determines their clothing, pose, environment, composition, lighting and photographic style.
Both people must remain immediately recognizable as the individuals shown in their respective reference photographs.
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2. OVERALL SCENE
Create a vertical, high-resolution, almost full-body professional editorial portrait showing the man and woman standing together side by side in front of a large architectural wooden wall.
The photograph should have an elegant, sophisticated and cinematic editorial aesthetic.
The overall visual language should resemble:
- luxury fashion photography
- contemporary editorial photography
- sophisticated celebrity/event portraiture
- high-end professional studio/location photography
The atmosphere should be refined, serious and controlled, with warm dark-neutral tones.
The two subjects occupy almost the entire width of the frame.
The man is slightly forward and toward the right side of the composition, while the woman stands slightly behind him on the left.
They are close together, creating a natural visual relationship between the two subjects.
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3. WOMAN — CLOTHING AND APPEARANCE
The woman from Reference Image 2 wears an elegant, long black leather coat or high-quality glossy leather-like material.
The coat should have:
- sophisticated structured tailoring
- wide collar
- fitted waist
- integrated belt
- metallic buckle
- long silhouette
- hem extending approximately toward the ankles
- realistic leather construction
- highly reflective glossy surface
The leather should produce pronounced but physically realistic specular highlights from the professional lighting.
The surface must show subtle variations in texture, folds and reflections.
Underneath the coat, only small portions of lighter-colored fabric should be visible around the cuffs or wrists.
Accessories
She wears:
- elongated silver earrings
- a delicate metallic necklace
- a small structured black handbag
- silver metallic hardware and decorative details on the handbag
The accessories should look sophisticated and luxurious without becoming visually excessive.
If the reference photograph has different hair characteristics, preserve the woman's actual identity and hair characteristics from the reference while naturally styling the hair appropriately for the scene.
Her face must remain completely visible.
Use subtle, sophisticated makeup that enhances the eyes, eyebrows and lips without changing her identity or facial structure.
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4. WOMAN — POSE AND EXPRESSION
The woman stands slightly behind the man on the left side of the composition.
Her body is slightly angled toward him.
She leans subtly toward the man, creating a natural connection between the two subjects.
One of her hands rests naturally against the man's arm or waist area.
She holds the small structured black handbag in her other hand.
Her expression should be elegant, natural and slightly softer than the man's expression.
The pose must feel like a sophisticated formal event or professional editorial portrait.
Avoid an overly romantic or exaggerated pose.
The interaction should feel natural, comfortable and composed.
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5. MAN — CLOTHING AND APPEARANCE
The man from Reference Image 1 stands slightly forward and toward the center-right of the composition.
He wears a sophisticated casual outfit consisting of:
White T-shirt
A simple, clean plain white T-shirt.
The white shirt provides a strong visual contrast against the dark jacket.
It should be completely free of visible logos or graphics unless specifically required.
Dark Navy Bomber Jacket
A contemporary very dark navy-blue bomber jacket, appearing almost black in some areas.
The jacket should have:
- bomber-style collar
- ribbed cuffs
- contemporary structured construction
- central front zipper
- realistic fabric texture
- subtle folds
- matte or predominantly non-reflective finish
- visible zippered pocket on the left sleeve
The jacket must contrast visually with the woman's highly glossy leather coat.
Jeans
He wears dark-blue denim jeans.
The jeans should have realistic denim texture and natural folds.
Avoid excessive distressing, rips or decorative elements.
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6. MAN — POSE AND EXPRESSION
The man faces approximately toward the camera.
His posture is relaxed, confident and natural.
Both hands are placed inside his jeans pockets.
His expression is serious, neutral and composed.
Do not make him smile.
The expression should contrast naturally with the woman's softer expression.
His body should remain mostly frontal to the camera while maintaining a relaxed posture.
Do not make the pose rigid.
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7. INTERACTION BETWEEN THE TWO SUBJECTS
The composition should clearly establish that the two people are posing together.
The woman remains slightly behind the man.
Her hand rests naturally on his arm or around the side of his waist.
The man remains mostly frontal.
The woman has a slight diagonal orientation toward him.
Maintain realistic physical contact and believable body positioning.
Their relative scale, height, perspective and body proportions must be physically consistent.
Do not merge their bodies.
Do not create overlapping limbs.
Do not create duplicated hands or fingers.
Both subjects must have anatomically correct hands and limbs.
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8. BACKGROUND — WOODEN ARCHITECTURAL PANEL
The background consists of a large vertical warm brown wooden architectural panel.
The wood must have clearly visible natural grain.
Use:
- warm brown tones
- vertical wood grain
- realistic variations in color
- subtle imperfections
- natural texture
Integrated into the wooden wall are dark geometric architectural elements forming horizontal and vertical lines.
These dark structural elements partially frame the subjects.
The architecture should feel sophisticated, minimalist and luxurious.
Do not add unnecessary furniture, decorations, paintings, signs or objects.
The background exists primarily to complement the two subjects.
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9. LIGHTING
Lighting is one of the most important elements of the image.
Use professional controlled photographic lighting that is soft but directional enough to define facial contours and clothing textures.
The lighting should produce:
- clean facial illumination
- subtle dimensional shadows
- controlled highlights
- realistic skin texture
- pronounced reflections on the woman's leather coat
- restrained highlights on metallic accessories
- soft definition on the man's matte bomber jacket
The woman's glossy leather should create several elegant specular highlights.
The man's bomber jacket should remain comparatively matte.
This difference in material response is an important visual feature of the photograph.
Maintain a warm overall lighting temperature influenced by the wooden background.
Do not create extreme shadows.
Do not use harsh flash.
Do not flatten the scene with completely uniform lighting.
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10. COLOR PALETTE
Use a sophisticated restrained palette consisting primarily of:
- black
- glossy black
- very dark navy blue
- white
- warm brown
- dark architectural gray
- silver metallic accents
- natural skin tones
The strongest visual contrast should come from:
glossy black leather + matte dark navy/black jacket + white T-shirt + warm brown wood.
Keep colors natural and sophisticated.
Avoid bright or saturated colors.
Avoid excessive teal-and-orange cinematic grading.
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11. COMPOSITION
Vertical portrait orientation.
Almost full-body framing.
The two subjects should occupy most of the image width.
The man is slightly forward and toward the center-right.
The woman is slightly behind him on the left.
Leave only limited empty space around the subjects.
The camera should be approximately at upper torso/chest-to-face height, avoiding significant perspective distortion.
Maintain realistic proportions.
The framing should include enough of their bodies to show:
- the woman's long coat
- her handbag
- the man's bomber jacket
- his jeans
- their posture and interaction
Do not crop them excessively.
Do not turn this into a headshot.
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12. DEPTH OF FIELD
Use a controlled professional depth of field.
Both people must remain extremely sharp and detailed.
The wooden background should be slightly softer and less visually dominant.
Use realistic optical depth of field rather than artificial computational blur.
The subjects should clearly separate from the background while retaining enough environmental detail to understand the architectural setting.
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13. PHOTOGRAPHIC QUALITY
Make the final image look like a real high-end professional photograph, not digital artwork.
Use:
- realistic full-frame camera rendering
- high-resolution detail
- natural skin texture
- realistic fabric
- realistic leather reflections
- realistic metal
- realistic hair
- realistic jewelry
- natural shadows
- accurate perspective
- physically believable lighting
- subtle lens characteristics
- professional editorial color grading
The image should resemble a photograph taken by a professional fashion/event photographer.
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14. REALISM AND ANATOMY
Pay particular attention to:
- facial identity
- hands
- fingers
- arms
- shoulders
- body proportions
- contact between the two people
- clothing folds
- jacket zipper
- leather reflections
- handbag geometry
- jewelry
- hair
- footwear
- perspective
No malformed hands.
No extra fingers.
No duplicated limbs.
No fused bodies.
No unnatural joints.
No distorted faces.
No artificial symmetry.
No plastic skin.
No excessive skin smoothing.
No generic AI faces.
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15. NEGATIVE INSTRUCTIONS
Do NOT:
- mix the identities of the two reference photos
- swap the man's face with the woman's
- swap the woman's face with the man's
- create generic replacement faces
- alter their recognizable facial characteristics
- change their apparent ages unnecessarily
- change their natural skin tones
- introduce random tattoos or accessories
- add military clothing
- add uniforms
- add weapons
- add logos
- add text
- add unnecessary background objects
- make the image look like CGI
- make it look like a video game
- make it look like an illustration
- make it look like an AI-generated fashion advertisement
- over-process the skin
- use excessive HDR
- use excessive sharpening
- use excessive saturation
- distort the anatomy
- create duplicated objects or limbs
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FINAL GENERATION INSTRUCTION
Create a single cohesive, photorealistic professional photograph in which:
Reference Image 1 = exact identity of the man.
Reference Image 2 = exact identity of the woman.
Preserve both identities independently and accurately.
Place them together naturally in the described editorial scene.
The final image must look as though these two specific people were photographed together at the same time, with the same camera, same lighting, same environment and same photographic conditions.
The result should be an elegant, sophisticated, warm-toned, cinematic luxury editorial portrait, with the glossy black leather coat of the woman contrasting against the matte dark bomber jacket and white T-shirt of the man, set against the warm architectural wooden background.