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upload a reference image for Groom
Use the uploaded reference images strictly for facial identities only, including exact face structure, skin tone, eye color, hair color and hairstyle. Keep both persons clearly recognizable and fully consistent with their references.
Create a photorealistic, ultra high-resolution IMAX cinematic surreal editorial portrait of the couple, with extreme detail, dramatic scale perception and hyper-real lighting.
The scene takes place in Porto Alegre, Brazil, blending real urban architecture with subtle surreal cinematic enhancements. The environment should feel real but elevated into a luxury film frame.
They are posing with a restored Ford Escort XR3 from the 1990s, parked on a stylish urban street in Porto Alegre with a cinematic, slightly surreal atmosphere.
Bride
Angelina Jolie, wearing light blue washed jeans and a fitted white t-shirt, styled in a minimalist high-fashion editorial aesthetic. She reclines gracefully across the tan leather seats of the car, holding a bouquet of white roses. Her pose is elegant, natural, and cinematic rather than bridal traditional styling.
Groom
The man from the uploaded reference image (preserve 100% of his facial identity and physical traits), wearing a dark orange polo shirt and dark blue jeans. He is seated in the driver’s seat with one hand on the steering wheel, looking toward the camera with a composed, cinematic expression.
Vehicle
Ford Escort XR3 (1990s), fully restored, ultra-detailed, with cinematic reflections on paint and chrome. Slight surreal enhancement: subtle exaggerated reflections, impossibly clean highlights, and filmic depth emphasis.
Environment (Porto Alegre – Surreal IMAX Style)
Urban streets inspired by Porto Alegre architecture, subtly transformed into a cinematic hybrid reality:
wide streets with reflective wet asphalt (even if not raining, surface has cinematic gloss)
modern + older Brazilian architecture blended seamlessly
distant skyline slightly softened with atmospheric haze
surreal depth compression making the city feel monumental and cinematic
Camera & Composition
Top-down angled shot from the front passenger side, IMAX-style framing with extreme depth and spatial layering. Strong foreground–background separation. The car dominates the frame while the city stretches dramatically behind.
Lighting
Golden-hour cinematic lighting enhanced into surreal IMAX scale:
volumetric light beams cutting through the scene
soft global illumination with exaggerated realism
warm highlights on skin, chrome, and glass
subtle neon-like ambient bounce from the city environment
Style
IMAX cinematic ultra surreal editorial photography:
hyper-real skin textures (natural but film-grade detail)
ultra-detailed fabrics, leather, metal, and reflections
controlled film grain (anamorphic cinematic feel)
slightly heightened realism (dreamlike but physically plausible)
emotional, luxurious, high-fashion storytelling tone
Technical
shallow depth of field (f/1.8–f/2.😎
35–50mm IMAX equivalent lens
HDR ultra dynamic range
razor-sharp facial focus with controlled cinematic bokeh
physically accurate shadows and reflections
vertical portrait framing (editorial cover style)
Use the uploaded reference images strictly for facial identities only, including exact face structure, skin tone, eye color, hair color and hairstyle. Keep both persons clearly recognizable and fully consistent with their references.
Create a photorealistic, ultra high-resolution IMAX cinematic surreal editorial portrait of the couple, with extreme detail, dramatic scale perception and hyper-real lighting.
The scene takes place in Porto Alegre, Brazil, blending real urban architecture with subtle surreal cinematic enhancements. The environment should feel real but elevated into a luxury film frame.
They are posing with a restored Ford Escort XR3 from the 1990s, parked on a stylish urban street in Porto Alegre with a cinematic, slightly surreal atmosphere.
Bride
Angelina Jolie, wearing light blue washed jeans and a fitted white t-shirt, styled in a minimalist high-fashion editorial aesthetic. She reclines gracefully across the tan leather seats of the car, holding a bouquet of white roses. Her pose is elegant, natural, and cinematic rather than bridal traditional styling.
Groom
The man from the uploaded reference image (preserve 100% of his facial identity and physical traits), wearing a dark orange polo shirt and dark blue jeans. He is seated in the driver’s seat with one hand on the steering wheel, looking toward the camera with a composed, cinematic expression.
Vehicle
Ford Escort XR3 (1990s), fully restored, ultra-detailed, with cinematic reflections on paint and chrome. Slight surreal enhancement: subtle exaggerated reflections, impossibly clean highlights, and filmic depth emphasis.
Environment (Porto Alegre – Surreal IMAX Style)
Urban streets inspired by Porto Alegre architecture, subtly transformed into a cinematic hybrid reality:
wide streets with reflective wet asphalt (even if not raining, surface has cinematic gloss)
modern + older Brazilian architecture blended seamlessly
distant skyline slightly softened with atmospheric haze
surreal depth compression making the city feel monumental and cinematic
Camera & Composition
Top-down angled shot from the front passenger side, IMAX-style framing with extreme depth and spatial layering. Strong foreground–background separation. The car dominates the frame while the city stretches dramatically behind.
Lighting
Golden-hour cinematic lighting enhanced into surreal IMAX scale:
volumetric light beams cutting through the scene
soft global illumination with exaggerated realism
warm highlights on skin, chrome, and glass
subtle neon-like ambient bounce from the city environment
Style
IMAX cinematic ultra surreal editorial photography:
hyper-real skin textures (natural but film-grade detail)
ultra-detailed fabrics, leather, metal, and reflections
controlled film grain (anamorphic cinematic feel)
slightly heightened realism (dreamlike but physically plausible)
emotional, luxurious, high-fashion storytelling tone
Technical
shallow depth of field (f/1.8–f/2.😎
35–50mm IMAX equivalent lens
HDR ultra dynamic range
razor-sharp facial focus with controlled cinematic bokeh
physically accurate shadows and reflections
vertical portrait framing (editorial cover style)