Cinema_ultrarealistic cinematic horizontal scene using

Ultra‑realistic cinematic 4K horizontal scene using the uploaded photo as the primary face and character reference. The person’s identity must remain 100% identical to the uploaded photo: same facial features, bone structure, skin tone, gender, perceived age, hairstyle shape, and overall facial proportions. Do not make the person younger or older and do not change gender. Preserve the exact expression, nose, lips, jawline, ears, and any unique marks such as moles, freckles, scars, or skin texture, matching the skin color precisely to the reference image. The generated character is in the foreground, from chest up, occupying one side of the frame, wearing a dark blue police uniform with realistic fabric texture, collar, buttons, shoulder seams and a metallic police badge on the chest, in the style of the Terminator 2 T‑1000 cop. Show a strict, serious expression, facing camera in 3/4 view. Apply a liquid‑metal impact effect exactly like the reference T‑1000 bust: one side of the face is punched through by a perfectly hollow, tunnel‑like cavity around the eye, and it is fully transpassable — you can clearly see the background through the center of the hole. The metallic shape forms a thick, smooth chrome rim that looks like frozen liquid splashed outward, with layered folds and ripples running from the forehead down to the cheek and jaw. The inside of the tunnel is dark and glossy, catching warm and cool reflections from the scene behind the character, reinforcing the impression that the hole goes completely through the head. The surrounding skin is pulled and stretched toward the metal with sharp tension lines and wrinkles, while all other parts of the face remain fully human and identical to the uploaded portrait. In the background, slightly blurred, place the original Terminator (T‑800) from the classic film, holding a sawed‑off double‑barrel shotgun in both hands. His face shows the iconic battle damage: torn skin and wounds revealing the glowing red robotic eye and chrome endoskeleton beneath, with exposed metal cheek and skull, just like in the movie. He stands in a strong, advancing pose, angled toward the camera or toward the foreground character, clearly visible but secondary in scale and focus. The environment is a gritty industrial scene from the original Terminator movies: dark factory or steel foundry at night, with metal beams, pipes, chains, and furnace or explosion glow in the distance. Smoke, sparks, and debris float in the air, giving a chaotic action‑scene feeling. Lighting and Mood Dramatic, high‑contrast, movie‑style lighting. Strong warm orange backlight from explosions or furnaces behind the characters, creating bright rims around hair, shoulders, the liquid‑metal edges, badge, and the exposed T‑800 endoskeleton. Cooler blue or cyan fill light from the opposite side to carve out facial structure and metal, producing the classic orange‑vs‑blue Terminator color contrast. Volumetric haze and smoke through which the backlight shines, sending beams through the circular metal hole in the foreground face and around the T‑800, enhancing depth. Chrome and liquid‑metal surfaces show accurate reflections of firelight and cool industrial lamps; skin and police uniform keep realistic shading and material response. Camera, Lens, and Framing Horizontal 16:9 4K cinematic frame. Simulated full‑frame camera with a 50–85 mm lens at around f/2.0–f/2.8. Foreground police character in sharp focus, filling a large portion of the frame on one side; background T‑800 and environment slightly blurred by depth of field but clearly recognizable through the tunnel hole and around the subject. Camera at slightly low angle, looking a bit up at the foreground character, with the T‑800 visible over the shoulder or in the mid‑background, emphasizing tension and pursuit. Style and Technical Quality Photorealistic, ultra‑sharp, HDR‑quality rendering with hyper‑detailed skin, hair, metal, uniform fabric, smoke, sparks, and badge. 4K (or higher) resolution, clean micro‑detail in pores, wrinkles, chrome ripples, battle damage on the T‑800, shotgun textures, and stitching on the police shirt. Gritty sci‑fi color grading with deep blacks, rich midtones, and bright highlights; subtle cinematic film grain. Negative Prompt Do not change the foreground subject’s identity, age, gender, face shape, hairstyle, or skin tone from the uploaded photo; no beautification, smoothing, de‑aging, or aging. Do not convert the entire face to metal; only the localized circular liquid‑metal tunnel and its rim should be metallic and fully see‑through, with the rest of the face human and identical to the reference. Do not place the T‑800 in the foreground; he must stay in the background with slight blur, holding the shotgun and showing classic endoskeleton battle damage. No cartoon, anime, comic, painterly, 2D vector, cel‑shaded, or low‑poly styles; avoid stylized or flat shading. No bright modern cityscapes, daytime scenes, or extra characters; no big text overlays or UI elements. Avoid low resolution, pixelation, heavy noise, extreme lens flares, blown‑out highlights, washed‑out colors, or excessive motion blur that would reduce cinematic realism.