Efeitos_using uploaded photo primary face

Using the uploaded photo as the primary face and character reference, depict the same person faithfully: same facial features, bone structure, skin tone, gender, apparent age, hairstyle shape and overall facial proportions. Do not change the person’s gender or make the face look younger or older. Preserve the exact facial expression, nose, eyes, lips, jawline and any unique marks such as moles, freckles, scars or skin texture. Keep the same head position, viewing angle and crop as in the original reference photo so the pose and framing remain identical. ​ Transform this into a hyper‑realistic oil painting of this person, with their real hairstyle and gender exactly as in the uploaded image, rendered with a unique “mosaic‑fragment” technique. The facial features (eyes, nose, lips and main facial planes) must remain smooth, detailed and anatomically accurate, with soft, controlled lighting that gently models the forms and preserves likeness. The eyes should be rich and expressive, and the lips should appear in a natural, unsaturated tone (no bright or red lipstick), matching realistic, slightly muted natural lip color. Dress the subject in classic aristocratic clothing from historical nobility: a richly detailed noble outfit with layers of fine lace, ruffled collar or jabot, intricate embroidery, brocade or velvet fabrics, and luxurious trims. Show elegant, high‑status garments with noble textiles such as silk, satin, velvet and brocade in deep, muted tones that harmonize with the earthy palette. The chest and shoulders should suggest an ornate noble costume with decorative buttons, lace cuffs and possibly a subtle embroidered pattern, while still dissolving partially into abstract brushwork. ​ From the neck and clothing downward, let the figure dissolve into thick, blocky palette‑knife strokes and square impasto patches, creating a mosaic‑like abstraction around the realistic face and noble garments. The ornate fabrics, lace and embroidery become hinted by geometric paint blocks, overlapping strokes and fragmented shapes, while the background continues this mosaic language with layered squares and knife marks that add depth and movement. A prominent, jagged diagonal crack should run across the cheek and jawline of the painted face, enhancing a dramatic “shattered canvas” effect, as if the painting surface itself is fractured but the person’s noble portrait and identity still hold together emotionally. The color palette should focus on earthy ochres, deep browns, muted greys and off‑whites, with hints of desaturated golds, creams and dark jewel tones in the clothing, and only soft, natural color in the lips. The overall atmosphere must be melancholic, introspective and high‑contrast. The canvas and paint surface must look extremely old and heavily damaged: show dense craquelure (fine and larger cracks) across the entire painting, with sharp, deep aging cracks especially in darker passages and in the noble clothing. Include clearly visible zones of dry, brittle paint, with strong flaking and cupping, tiny and large missing chips that reveal a dull ground or exposed canvas beneath, and areas where impasto strokes are lifting and curling away from the surface. Parts of the image (especially outer regions, background and portions of the clothes and mosaic fragments) should appear faded, abraded and partially erased by time, with details lost, colors washed out and forms only ghostly suggested, as if damaged by poor storage, dirt and repeated cleaning. The varnish or surface sheen should appear very uneven, with matte, chalky dead spots, discolored patches and stains that reinforce the impression of a neglected, time‑worn aristocratic oil portrait. Emphasize heavy canvas texture, raised paint ridges, fragmented flakes and a strong patina of age so it feels like a centuries‑old noble portrait in very poor condition, photographed in ultra‑high resolution. Camera, lens and framing Tight portrait framing that matches the original reference crop and composition, with the face as the central focus and minimal background. Simulate a straight‑on photograph of an old aristocratic painting taken with a standard 50mm lens look, no perspective distortion, filling most of the frame with the aged, cracked canvas. The central facial area should appear slightly sharper than the outer mosaic fragments and most damaged regions, suggesting subtle focus while still reading as a flat painted surface. ​ Lighting style Soft, directional studio lighting coming from one side, creating gentle highlights on the forehead, nose, cheekbones, natural lips and the most preserved parts of the lace and noble fabrics, with deeper shadows on the opposite side for drama. Use high contrast to emphasize crack networks, flaking paint, missing chips and abraded areas, but avoid blown highlights so the texture and color variation in the aged noble portrait remain visible. Slight raking light can enhance the relief of impasto ridges, craquelure patterns and peeling, cupping flakes, making the old, dried paint layer feel tactile and three‑dimensional. ​​ Style keywords (keep inline) hyper‑realistic aged oil painting, aristocratic noble portrait, classic nobility clothing, rich lace and brocade, mosaic‑fragment technique, thick impasto, heavy craquelure, flaking and cupping paint, missing paint chips, shattered canvas effect, brittle dried varnish, faded and abraded areas, earthy ochres and deep browns, muted greys, natural lips, melancholic high‑contrast portrait, strong antique patina. Negative prompt / constraints No changes to facial structure, skin tone, age, gender, hairstyle shape, expression or overall identity compared to the uploaded photo; the person must be instantly recognizable as the same individual. No bright red or vivid lipstick; lips must stay natural and unsaturated. No modern clothing (t‑shirts, hoodies, casual wear); clothing must read as classic historical nobility with lace and luxurious fabrics. No extra characters, no text, no signatures, no logos, no watermarks. Avoid cartoon, anime, flat digital illustration, watercolor, pencil sketch, 3D render or glossy modern digital art styles; it must read as a traditional, extremely old aristocratic oil painting on canvas in poor conservation condition. No low‑resolution, blurry or noisy artifacts unrelated to the painted texture, no distorted anatomy, no exaggerated facial proportions, no neon or overly saturated colors beyond the specified palette.