Estatuas_create completely image scratch ultraphotorealistic

Create a completely new image from scratch, ultra‑photorealistic, cinematic interior scene rendered in 3:4 format, museum‑grade realism, physically accurate materials and lighting. Subject and identity (use attached reference) Use the attached reference photo as the only identity reference. The finished upper half of the marble sculpture must exactly preserve the person from the reference photo. Facial constraint: Keep 100% of the real facial characteristics from the reference: identical bone structure, facial proportions, nose, lips, jawline, cheekbones, eye shape, brow shape, and overall facial geometry. Do not reinterpret, beautify, simplify, or make the face generic; it must clearly be the same real person from the photo, sculpted in marble. The expression should be serene and timeless, but still recognizably derived from the reference face. Hair and gender consistency: Sculpt the same hairstyle, hair length, hairline, texture, and overall silhouette as in the reference photo, translated into marble strands and volumes. Preserve the same gender and gender expression as in the reference image; no gender swap or feminization/masculinization changes. Hair style must clearly match the reference, only interpreted as carved stone. Marble sculpture description At the center of the composition stands a tall, partially carved block of brilliant white marble with dramatic, high‑contrast black veining, positioned upright on a worn wooden floor. Upper half (finished figure): Fully finished and exquisitely carved into the elegant female form, resembling a classical marble statue. Anatomy is realistic and refined, with smooth, polished surfaces, softly defined musculature, graceful shoulders, a slender neck, and a serene, timeless expression. The face and hair match the reference person exactly, but realized as a classical marble sculpture. Marble surface on the finished upper half is subtly polished, catching natural highlights while preserving faint tool marks consistent with traditional hand carving. Lower half (unfinished block): Remains unfinished and abstract, composed of fractured planes, angular cuts, and raw chisel marks. The transition between finished and unfinished stone is gradual and organic, clearly revealing the artistic process of the form emerging from the block. Black marble veins flow continuously through both sections, bending and breaking naturally across smooth and rough surfaces. Around the base, show scattered marble chips, stone dust, and broken fragments on the floor. Tools and workshop elements Authentic sculpting tools around the sculpture: Steel chisels with wooden handles. A metal mallet resting nearby. Additional chisels arranged naturally, plus rough stone offcuts. To the left: A sturdy wooden workbench holding neatly arranged carving tools, a folded cloth, ceramic bowls, and a small stone block. Behind it, a sunlit window with decorative wrought‑iron bars allowing warm natural light to stream in, producing soft god‑rays, floating dust particles, and realistic directional shadows that emphasize depth, texture, and material contrast. Workshop walls: painted a deep matte blue, creating strong contrast with the white marble. On the right wall: a tan canvas apron hanging from wooden pegs, with wooden shelves holding jars, bottles, and tools. A wooden stool and additional work surfaces appear partially in frame, integrated naturally into the environment. Lighting and atmosphere Lighting is warm, natural, and cinematic, with: Physically accurate global illumination. Soft shadow gradients and realistic contact shadows. Natural reflections on polished marble, metal tools, and glazed ceramics. Subtle volumetric dust catching sunbeams from the window, adding depth without obscuring the sculpture’s face or form. Overall mood is serene, artisanal, and timeless, capturing the moment of transformation where raw stone becomes living form, rendered with museum‑quality realism. ​ Camera, optics, and framing Eye‑level camera angle, as if the viewer is standing in front of the sculpture in the workshop. Realistic lens optics with a slightly shallow depth of field: Sculpture (especially the face and upper body) in sharp focus. Background elements gently softened but still readable. Aspect ratio: 3:4 vertical framing, with the marble block centered and the workshop environment framing it harmoniously. Hard constraints Do not change the person’s identity, hairstyle type, or gender from the reference photo; only translate them into marble sculpture form. No stylized, cartoon, anime, or low‑detail faces. No modern text, logos, or UI elements anywhere in the image.