Mk1_poster_goro

Imagem do prompt Mk1_poster_goro
Use the uploaded photo as the EXCLUSIVE face and character reference for the main cop character. The person’s identity must remain 100% identical to the uploaded photo: same facial features, bone structure, skin tone, gender, perceived age, hairstyle shape, and overall facial proportions. Do not make the person younger or older and do not change gender. Preserve the exact expression style, nose, lips, jawline, ears, and any unique marks such as moles, freckles, scars, or skin texture, matching the skin color precisely to the reference image. MAIN POSTER SCENE The Terminator movie poster Design an ultra‑realistic, cinematic 4K movie poster in horizontal 16:9, in the style of the original The Terminator theatrical posters from the 80s: dark background, strong central character, bold metallic title logo, and classic credit block at the bottom. The main character in the foreground is a T‑1000 style police officer using the face from the uploaded photo. Framing: chest‑up portrait, occupying one side of the poster (left or right third), in 3/4 view facing toward camera. Outfit: dark blue police uniform inspired by the T‑1000 cop from Terminator 2 — realistic fabric texture, collar, buttons, shoulder seams, metallic police badge on the chest. Expression: strict, serious, emotionless, like a relentless machine. Apply the liquid‑metal impact effect exactly like the classic T‑1000 bust: One side of the face has a perfect hollow tunnel‑like cavity around the eye, completely see‑through, so the background is clearly visible through the center of the hole. The metallic rim around the hole looks like frozen splashed liquid metal: thick, smooth chrome edges with layered folds and ripples from forehead down to cheek and jaw. Inside the tunnel: dark, glossy metal catching warm orange and cool blue reflections from the background, reinforcing the feeling that the hole goes all the way through. Skin around the metal is pulled and stretched toward the impact, with sharp tension lines and wrinkles, while the rest of the face remains fully human and identical to the reference. In the mid‑background, slightly blurred but clearly recognizable, place the classic T‑800 Terminator from the original films: Wearing black leather jacket, holding a sawed‑off double‑barrel shotgun in both hands. Face with iconic battle damage: torn skin showing the glowing red robotic eye and chrome endoskeleton beneath, exposed metal cheek and skull, like in the movies. Pose: strong, advancing or aiming, angled toward camera or toward the foreground cop, secondary in scale but visually powerful. The environment is a gritty industrial night scene from the Terminator universe: Dark factory or steel foundry, with metal beams, pipes, chains, and distant furnace or explosion glow. Smoke, sparks, debris and light rays in the air, giving a chaotic high‑action atmosphere. LIGHTING & MOOD Recreate the orange vs blue cinematic contrast of classic Terminator posters and scenes: Strong warm orange backlight from explosions or furnaces behind the characters, creating bright rim light around hair, shoulders, the liquid‑metal edges, badge, and exposed endoskeleton. Cooler blue / cyan fill light from the opposite side to sculpt the face, uniform, and metal, producing that iconic sci‑fi contrast. Volumetric haze and smoke so that backlight forms visible beams, passing through the circular metal hole in the foreground face and around the T‑800. Chrome and liquid metal show realistic reflections of fire and blue industrial lights; skin and uniform remain physically accurate and detailed. Gritty sci‑fi color grading with deep blacks, rich midtones and bright highlights, plus subtle cinematic film grain. CAMERA, LENS & FRAMING Format: horizontal 16:9 movie poster frame. Simulated full‑frame camera with 50–85 mm lens at around f/2.0–f/2.8. Foreground T‑1000 cop (with the uploaded face) in tack‑sharp focus, filling a large portion of one side of the frame. T‑800 and environment slightly blurred by depth of field but clearly recognizable, including through the liquid‑metal tunnel. Camera at a slightly low angle, looking a bit up at the foreground cop, with the T‑800 visible over the shoulder or diagonally behind, emphasizing threat and pursuit. TITLE, LOGO & POSTER CREDITS The Terminator opening credits Turn the composition into a classic theatrical movie poster for The Terminator: Place a bold metallic “THE TERMINATOR” title logo near the bottom or center, inspired by the original 1984 logo style (blocky, chrome, futuristic typography). Above or near the title, include the tagline area (for example “In the Year of Darkness, the Terminator arrived…” or um texto personalizado no mesmo espírito, sem copiar literalmente se você quiser algo original). Add an authentic‑style credit block at the very bottom, in condensed white fonts typical of movie posters, with structure similar à dos créditos originais: “A JAMES CAMERON Film” “Arnold Schwarzenegger” (as The Terminator) “Linda Hamilton - Michael Biehn” “Music by Brad Fiedel” “Written by James Cameron & Gale Anne Hurd” “Directed by James Cameron” “© Orion Pictures” (ou equivalente estilizado) Você pode também colocar pequenos logos de estúdio (Orion Pictures / distribuidores) na parte inferior, como em posters clássicos. Todo o texto deve parecer integrado ao pôster: alinhado na parte inferior, com hierarquia clara (nome do filme maior, créditos menores), sem poluir a arte. STYLE & TECHNICAL QUALITY Photorealistic, ultra‑sharp, HDR, 4K (ou maior) com micro‑detalhes: poros de pele, dobras do uniforme, ripples do metal líquido, dano no T‑800, textura da arma, partículas de fumaça e faíscas. Gritty sci‑fi movie look, como um pôster de cinema de alto orçamento para um relançamento remasterizado de The Terminator. Sutil granulação de filme e leve vinheta para reforçar o look clássico. NEGATIVE PROMPT Do not change the foreground subject’s identity, age, gender, face shape, hairstyle, or skin tone from the uploaded photo; no beautification, smoothing, de‑aging, or aging. Do not convert the entire face into metal; only the localized circular liquid‑metal tunnel and rim must be metallic and fully see‑through — all other facial areas remain human and identical to the reference. Do not place the T‑800 in the foreground; he must stay in the background with slight blur, holding the shotgun and showing classic endoskeleton damage. No cartoon, anime, cel‑shaded, comic‑book, 2D vector or painterly styles. No bright modern city daytime, no extra random characters, no UI overlays. Avoid low resolution, pixelation, heavy noise, extreme lens flares, blown highlights, washed colors or strong motion blur that reduces realism.
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