Vida_loka

Aqui está o prompt completo já ajustado para a cena no semáforo com fila de motos e com a camiseta branca “VIDA LOKA” em vermelho: Identity block Use the UPLOADED PHOTO as the ONLY and EXCLUSIVE face and character reference. Keep the person’s identity 100% identical to the uploaded photo: same facial features, bone structure, skin tone, gender, age impression, hairstyle shape and hairline, and the same overall facial proportions. Do not change the person’s gender, do not make the face younger or older, do not beautify or slim the face, do not alter nose, eyes, lips, jawline or cheek volume. Preserve the exact facial expression and any unique details such as moles, freckles, scars or specific skin texture so the viewer instantly recognizes the same real person in this dynamic scene. Positive prompt (main scene and style) A cinematic, ultra‑realistic, slightly comedic action portrait of the uploaded person, appearing as a Caucasian young adult woman riding a red and silver tricycle in the middle of a major city intersection, stopped at a red traffic light. She is barefoot, wearing a plain white T‑shirt with bold red text “VIDA LOKA”, blue jeans and round wire‑rimmed glasses, with brown hair blown slightly back by the city wind. Her mouth is wide open in a scream and her eyes are bugged out, conveying extreme excitement or disbelief, while still keeping facial anatomy and identity believable rather than cartoonish. One bare foot is thrust forward extremely close to the camera, massively enlarged by perspective, dominating the right side and foreground of the image and becoming the strongest visual element in frame, while the rest of the body and tricycle recede slightly behind it. The tricycle is at the very front of a chaotic line of motorcycle delivery drivers stopped behind her at the red light, all wearing helmets, delivery boxes and jackets, forming a dense row of bikes filling the lane behind the tricycle. Further back, multiple lanes of cars, buses and city traffic are also stopped at the signal, creating a crowded, slightly chaotic big‑city traffic jam. Tall buildings, traffic lights, street signs and urban details frame the scene, emphasizing a large modern city. The tricycle clearly leads the line, positioned in front of all the motorcycles and cars, making the situation humorously absurd and unexpected. Overall atmosphere: bright, energetic, humorous, full of motion energy even though everyone is momentarily stopped at the light. Lighting block Bright daylight lighting in a big city, suggesting late morning or afternoon sun with some urban haze: strong but not harsh sun, casting clear directional light and soft, believable shadows under the tricycle, the woman, the motorcycles and the cars. The subject’s face is well lit, with clean highlights on the forehead, nose and cheeks, and defined but not overly deep shadows, preserving expressive detail in the wide‑open mouth and eyes. The raised foot shows realistic shading, toe definition and skin texture, with highlights and shadows matching the same light direction. The asphalt at the intersection shows painted lane markings, crosswalk stripes and subtle reflections or dirt, with shadows from bikes and cars stretching slightly backward. Color balance leans toward natural warm daylight on skin tones and vehicles, with slightly cooler tones in the distant glass buildings and sky. Lens and camera block Extreme low‑angle, ultra‑wide action perspective, as if shot with a 14–20mm equivalent lens positioned very close to the outstretched front foot, aimed slightly upward toward the rider and the chaotic traffic behind her. The bare foot fills a large portion of the right and lower part of the frame, clearly the largest object in the image, while the woman’s torso, head and tricycle appear slightly smaller and set back in space, and the row of delivery motorcycles and cars stack up behind her, creating strong exaggerated perspective but still within believable limits (avoid grotesque distortion of the face). The camera position gives a powerful sense of depth: enormous foreground foot, mid‑ground rider on the tricycle, and a dense background of motorcycles, cars, buses and tall buildings fading into the city. Depth of field is moderate: the foreground foot, the woman, the front of the tricycle and the first row of bikes are crisp, while the distant cars, buildings and far background are slightly softened, keeping focus on the absurd situation at the traffic light. Detail and rendering block Ultra‑high resolution, photorealistic rendering: extremely detailed skin texture on the foreground foot (pores, fine wrinkles, subtle veins, toenails), as well as on the face; realistic hair strands moving in the air; clear stitching and fabric folds on jeans and T‑shirt. The T‑shirt text “VIDA LOKA” appears in solid, clean, bold red letters, sharply readable. The tricycle shows metallic red and silver surfaces, reflections on chrome parts, rubber tires and minor scuffs or dirt for realism. The delivery motorcycles are rendered with believable shapes, headlights, mirrors, delivery boxes and varied helmets, without distracting brand logos. The asphalt intersection has fine texture, crosswalk paint, lane markings and subtle wear. The cityscape includes glass and concrete buildings, traffic lights, street signs and distant vehicles, all slightly softened to avoid stealing focus. The overall grading feels like a cinematic still from a high‑end commercial or movie: vivid but controlled colors, high clarity, and strong storytelling focused on the woman’s exaggerated foreground foot, wild expression and the absurd fact that her tiny tricycle is leading a packed line of delivery bikes and cars at a busy city traffic light. Negative prompt No different person, no changed gender, no changed age, no new hairstyle unrelated to the uploaded photo, no altered facial proportions that break identity; avoid extreme cartoon caricature that makes the face unrecognizable. No 2D cartoon, anime, manga, flat vector art, painterly oil style, or plastic 3D game character look; keep realistic, cinematic photography style. No uncontrolled fisheye distortion that crushes the face or body, no bizarrely stretched limbs beyond the intentional foreground foot exaggeration, no tilted horizon that feels accidental rather than intentional; perspective should be dramatic but still readable. No night scene, no dark storm, no artificial neon lights; maintain bright daytime big‑city atmosphere. No empty road or highway, no countryside, no tunnel; must be a dense urban intersection with traffic light, motorcycles and cars. No text, logos, watermarks, UI elements, brand names on delivery boxes, or frames; the only readable text in the scene must be “VIDA LOKA” on the white T‑shirt.